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TAKEN FROM: FLAX-GOLDEN TALES
UNIT TEN: HUmor and Satire
third thoughts
E. V. Lucas (England, 1868-1938)
This story was told to me by a friend.
It is my destiny (said he) to buy in the
dearest markets and to sell—if I succeed in selling at all—in the
cheapest. Usually, indeed, having tired
of a picture or decorative article, I have positively to give it away; almost to make its acceptance by another a personal favour to me. But
the other day was marked by an exception to this rule so striking that I have
been wondering if perhaps the luck has not changed and I am, after all,
destined to be that most enviable thing, a successful dealer.
It happened thus. In drifting about the old curiosity shops of
a cathedral city I came upon a portfolio of water-colour
drawings, among which was one that to my eye would have been a possible Turner,1 even if an earlier owner had not shared that opinion or hope and
set the magic name with all its initials (so often placed in the wrong order)
beneath it.
“How much is this?” I
asked scornfully.
“Well,” said the dealer, “if it were a genuine Turner it would be worth anything. But let’s say ten shillings. You can have it for that; but I don’t mind if you don’t, because I’m going to London next week and should take it with me to get an opinion.”
I pondered.
“Mind you, I don’t guarantee it,” he added.
I gave him the ten shillings.
By what incredible means I found a purchaser
for the drawing at fifty pounds there is no need to tell, for the point of this
narrative resides not in bargaining with collectors, but in bargaining with my
own soul. The astonishing fact remains
that I achieved a profit of forty-nine pounds ten and was duly elated.2 I
then began to think.
The dealer (so my thoughts ran) in that little
street by the cathedral west door, he ought to participate in this. He behaved very well to me and I ought to
behave well to him. It would be only
fair to give him half.
Thereupon I sat down and wrote a little note
saying that the potential Turner drawing, which no doubt he recollected, had
turned out to be authentic, and I had great pleasure in enclosing him half of
the proceeds, as I considered that the only just and decent course.
Having no stamps and the hour being late I did not post this, and went to bed.
At about 3.30 a.m. I
woke widely up and, according to custom, began to review my life’s errors,
which are in no danger of ever suffering from loneliness. From these I reached, by way of mitigation,
my recent successful piece of chaffering,3 and
put the letter to the dealer under both examination and cross-examination. Why (so my thoughts ran) give him half? Why be Quixotic?4
This is no world for Quixotry. It was my eye that detected the probability
of the drawing, not his. He had indeed
failed; did not know his own business.
Why put a premium on ineptitude?5 No,
a present of, say, ten pounds at the most would more than adequately meet the
case.
Sleep still refusing to oblige me, I took a
book of short stories and read one. Then
I closed my eyes again, and again began to think about the dealer. Why (so my thoughts ran) send him ten
pounds? It will only give him a wrong
idea of his customers, none other of whom would be so fair, so sporting, as
I. He will expect similar letters every
day and be disappointed, and then he will become embittered and go down the vale of tears a miserable creature. He looked a nice old man too; a pity, nay a crime, to injure such a nature. No, ten pounds is absurd. Five would be plenty. Ten would put him above himself.
While I was dressing the next morning I thought about the dealer again. Why should I (so my thoughts ran), directly I
had for the first time in my life brought off a financial coup,6 spoil
it by giving a large part of the profit away?
Was not that flying in the face of the Goddess of Business, whoever she
may be? Was it not asking her to
disregard me—only a day or so after we had at last got on terms? There is no fury like a woman scorned;7 it would probably be the end of me. City magnates8 are
successful probably just because they don’t do these foolish impulsive
things. Impulse is the negation of magnatism. If I am
to make any kind of figure in this new role of fine-art-speculator (so my
thoughts continued) I must control my feelings.
No, five pounds is absurd. A douceur9 of
one pound will meet the case. It will be
nothing to me—or, at any rate, nothing serious—but a gift of quail and manna
from a clear sky to the dealer, without, however, doing him any harm. A pound will be ample, accompanied by a brief
note.
The note was to the effect that I had sold the
drawing at a profit which enabled me to make him a present, because it was an
old, and perhaps odd, belief of mine that one should do this kind of thing;
good luck should be shared.
I had the envelope in my pocket, containing
the note and the cheque when I reached the club for
lunch; and that afternoon I played bridge10 so
disastrously11 that
I was glad I had not posted it.
After all (so my thoughts ran, as I destroyed
the envelope and contents) such bargains are all part
of the game. Buying and selling are a
perfectly straightforward matter between dealer and customer. The dealer asks as much as he thinks he can
extort, and the customer, having paid it, is under no obligation whatever to
the dealer. The incident is closed.
Ekta Books / Flax-Golden Tales-Sounds of English / Moti Nissani’s Homepage
1. Turner: A well known English painter
(1775-1851).
2. Elated: Very happy.
3. Chaffering: Bargaining, haggling,
bartering (nowadays, this word is rarely used).
4 Quixotic: Impracticably idealistic
(after Cervantes’ literary character, Don Quixote, who gallantly and mistakenly
fights such things as windmills).
5. Ineptitude: Incompetence.
6. Coup: Great success.
7. No fury
like a woman scorned: A quotation from Shakespeare: no greater anger (fury)
is possible than the anger shown by a woman whose amorous advances have been rejected.
8. Magnates: Wealthy and powerful people; millionaires.
9. Douceur:
A conciliatory gift (nowadays, this French word is hardly ever used by English
speakers).
10.
Bridge: A popular card game, often
played for small stakes in clubs. Like chess and
backgammon, playing bridge well requires both talent and practice.
11. Disastrously: Here meaning that his
playing brought on him a “disaster,” that is, a great loss of money.